| Duleep Singh Sculpture up for auction |
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| Written by Art Daily Newspaper | ||||||||||||||||||||||
| Thursday, 01 February 2007 | ||||||||||||||||||||||
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Maharajah Duleep Singh, the Maharajah of Lahore and King of the Sikh Empire, was born on the 6th September 1838, the son of the legendary Lion of the Punjab, Maharajah Ranjit Singh, and the so-called `Messalina of the Punjab’, Maharani Jind Kaur. In 30 years Ranjit Singh, the great warrior king of the Sikhs had carved out a kingdom stretching from the Indian Ocean to the Himalayas. The sculpture was produced in Rome in 1859-60. The story of Duleep Singh (1838-1893) is a tragic one of loss and of political manoeuvring by the British Government and the British East India Company. Today Duleep is a figure of veneration for Sikhs around the world, many of whom find their way to his last home at Elvedon Hall in Norfolk. Writer and specialist on Duleep Singh, Christy Campbell, (author of The Maharajah’s Box, HarperCollins, 2000) says that at the age of 11, Maharajah Duleep Singh, ruler of the Punjab, and owner of the famous Koh-i-Noor diamond was removed from his Kingdom by the British East India Company after the Anglo-Sikh Wars and exiled to Britain. A full feature article by Christy appears in the next issue of Bonhams quarterly magazine. In Britain Duleep led the extravagant life of an Indian prince associating with the cream of Victorian society enjoying hunting parties with the Prince of Wales. He became a favourite of Queen Victoria, who described him as “extremely handsome with a graceful and dignified manner.” Duleep's mother, the Maharani Jindan, had been dragged screaming from her eleven-year-old son and imprisoned in a fortress. Last wife of the great Maharajah Ranjit Singh, she had been regent in the boy-king's infancy. Duleep had had his long hair shorn, was given a bible and taught Christianity. Meanwhile the Koh-i-Noor diamond, glittering jewel in the crown of the Lahore treasury, was pocketed by his conquerors and presented to Queen Victoria as a symbol of dominion. In 1854 Duleep was brought to England to begin his extraordinary journey through fashionable society. Five years later it had led him to Rome to sit for the esteemed Royal Academician John Gibson. In spring 1859 the sculptor began work on the Duleep bust making sketches and maquette studies. The subject wears a voluminous pearl necklace and embroidered kaftan tunic in the Kashmiri taste. His uncut hair, in the religious prescription of his Sikh patrimony, is wound in a turban. He is also bearded. Whether through a sense of guilt or a girlish crush, Queen Victoria had been enraptured since first meeting Duleep. Images of Duleep festooned Osborne House, the Queen’s Italianate retreat on the Isle of Wight. In 1856 she had commissioned a portrait bust by the Italian born sculptor Carlo Marochetti RA (who also would model the effigies of Prince Albert and the Queen for the royal mausoleum at Frogmore.) Government ministers in London meanwhile considered how to ensure the exile should have no residual political power. It was thought unwise to send him to Eton (where he might be beaten) or thereafter to university. In the Great Mutiny of 1857, the Sikh regiments of the East India Company’s army stayed loyal. That saved British rule. The Sikhs might not do so again if a new challenge should arise, based on the person of Duleep. With the issue of marriage looming the thirteen-year-old Princess Victoria Gouramma, daughter of the former Rajah of Coorg was introduced to Duleep. She was the goddaughter of the Queen - who thought her highly suitable as a bride for Duleep. He was a Christian but still a `native’ and thus could not marry an Englishwoman. But Duleep was not enamoured of the princess - and at first refused to meet her. Duleep later married Bamba Muller the daughter of a Coptic Christian Ethiopian and a German merchant father. The Maharani Bamba bore two sons and three daughters. A dark political conspiracy gathered. Rebellious emissaries from the Punjab sought him out. In 1886 he abjured his wife and family - `because they were Christian’ and declared himself a remade Sikh. He ventured to St Petersburg, then Moscow, posing as an Irish revolutionary offering to lead an invasion of British India. It was a stunt cooked up by HM Foreign Office’s intelligence department to discredit an inconveniently warlike Russian newspaper magnate writes Christy Campbell. He is buried, as a Christian, at Elveden church close to the Hall which is now the home of the Guinness family. Sikh pilgrims from around the world seek out the grave - and reflect on the fate of their fallen king. | ||||||||||||||||||||||
w.o.w.
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| i think the shouldn't be sold off to any individual. it should be sould to a sikh museum or the sri darbar sahib. you never know what can happen if someone takes it. they can break it or spill something on it. so, in conclusion i think this should not be sold to any individual! age 11 waheguru ji ka khalsa waheguru ji ki fateh !!!!!!!!!!!!!!!!!!!!!!!!!!!! |

| Given the sad historic account of Maharaja Duleep Singh's life, surely the least the English can do is to donated this to the Sikhs, where the Sculputre will receive the respect due. |

| i think this will be a loss to new generation if it is sold because it can be misused,it should be handed over to the sikh community/sikh museum |

| The Sgpc or the trustees of sites such as these need to set up some funding for Materials that pop up such as these, they are valuable not in terms of money.....but in terms of our history and need to be tracked down and bought and returned ....there are so many artifacts out there, like the copy of the Guru Granth Sahib that was discovered at the Victoria and Albert Museam by the new sikh historian Jeevan Deol. |

| This item is likely privately owned and is not being sold by the "British Government". While certainly of great historic value and interest; there is to me a significant difference between items like this and items of religious import. I would like to see it well cared for and in a museum where anyone might see it; but I don't think it would be appropriate for the SGPC or any other religious organization to have a direct hand in its disposition. It does not belong in a Gurudwara. Wouldn't it be wonderful if a reputable International Sikh History & Heritage Society were formed that could coordinate the procurement, care, and display of items like this? Let’s do it. |

| I think our community became a community of disables. they r sellin our history in just £25,000 to £35,000. this amount is nothin for sgpc....if sgpc is doin nothin its bad on them n us too..very sadddd... |

| http://www.sikhfoundation.org/aboutus.asp The Sikh Foundation has been set up to preserve arts of this kind...maybe they will take an interest in purchasing? |

| As a white British person I am very interested and fascinated by the history of Maharajah Duleep Singh and the history surrounding him. I feel the bust should be bought and given back to the the Sikh nation, to be placed in a suitable Museum for all to see! |

| I stay in Punjab, there is no museum in Punjab which is in a position to display such an item safely. It is unfortunate that most of the Punjabi's residing in India have little or no value for such pricless antiques. Only if any of you have visited the museum at the Golden temple or the Patiala museum will you realise the low level of preservation and safety. It is only when we Indians see the way the Europeans have preserved their heritage that we realise that we should also do so. The only two museums that can safely house such an antique are the Central Museum Delhi or the Chandigarh museum. But unfortunately both are cash starved for such purchases.The only other place which has one of the largest collection of sikh art is the Imperial Hotel Delhi. This is run by Jasdev Singh Akoi the granson of Sardar Gian Singh Rarewala (the first chief minister of Punjab) . Navjot Randhawa |
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